
Interior designer, illustrator.
Passionate about the world of art and the culture of beauty, in constant search for creative stimuli, she brings back a particular artistic sensitivity in her creations.
Her interest in photography and graphics translates into an obsessive attention to colours, lights and lines; through her delicate but visible feminine artistic touch she enhances the details of her works.
The strong dedication to manual drawing, combined with the ability to translate into digital, confirm her recognisable style: at times elegant and fluid, at times melancholic and disruptive.
Memoriales
PHILOSOPHY
History, as the basis of our present, underlines the interaction between the Ancient world and the Contemporary world.
The desire to relate these two historical phases has materialised in the project development of the designs created. In fact, the techniques used for their creation blend the primary interventions of collage, cut-outs, and brushstrokes in Indian ink with digital graphic techniques.
The identification of the structural skeleton of the reference figures, the significant compositional elements and their spatial development expresses the harmony of the lines and recreates an almost “fantastic” effect to consolidate the link between historical civilisation and art, both past and present. Through Trattopen, felt-tip pens and ink it was possible to make the strokes more defined and precise, creating spontaneous lines and spots.
The collage technique, on the other hand, served to assemble and superimpose architectural and decorative elements.
Finally, digitisation has made it possible to translate everything into a modern graphic key and to interpret MEMORIALES in different colour variations.
GRAPHIC
NEW CLASSIC
Memoriales
GRAPHIC
GRAPHIC
GRAPHIC






